smon

Part 2

Adrian took one step toward him.

Lydia caught his sleeve.

He looked at her hand, then at her face.

“Mom.”

“We are not going to stand in the street staring at someone.”

“You’re staring too.”

“I’m assessing the situation.”

“That’s what you call staring when you own the building across the street.”

“I do not own the terminal.”

“You tried.”

“This is not the time.”

“When is the time?”

The question landed harder than Adrian intended. His mouth tightened immediately after he said it.

Nora watched Lydia’s grip remain on his sleeve.

The driver glanced toward them. Lydia released Adrian and gave the smallest shake of her head. The driver understood. He remained beside the open car without approaching.

The stranger finally freed the object’s lid.

It opened with a dry snap.

Nora shifted her weight.

“Ma’am,” she said.

Lydia did not answer.

Nora’s attention had moved from the stranger’s face to his hands. Her professional calm did not change, but one of her fingers pressed flat against the side of her tablet bag.

“Ma’am,” she repeated, softer. “Look at the watch.”

Lydia’s breath stopped before she understood why.

The young man held a tarnished silver pocket watch beneath the gray daylight. Its glass was cracked from the edge toward the center. A short chain hung between his fingers, two links darker than the rest where they had been repaired. Scratches covered the back casing. The damage should have made it unrecognizable.

It did not.

Lydia had chosen the watch in a small shop on Charles Street while she was seven months pregnant. She had not known the babies’ sexes yet, only that there were two of them and that her husband wanted names beginning with A because his father had been named Arthur. She had rejected that plan by purchasing a watch engraved with two different initials.

A and J.

Adrian and Julian.

The engraving had been done by hand. The J leaned slightly too far to the left. Lydia had noticed the flaw when she collected it and decided she liked it. It made the object belong to a human hand rather than a machine.

Twenty-five years had passed.

She could still see the engraver wiping silver dust from his fingertips.

The stranger turned the watch toward himself.

Inside the lid, beneath a warped circle of clear covering, was a photograph.

Lydia could not see every detail from where she stood. She did not need to.

The photograph had been taken in her private hospital room nine hours after the birth. She was pale, exhausted, and furious with the nurse who kept telling her to rest. Adrian lay against her right arm. Julian lay against her left. Both babies were swaddled in white blankets with blue stripes. Lydia’s hair, darker then, had escaped its braid. She was not smiling at the camera. She was looking down at the boys with an expression she had never been able to reproduce after that day.

There had been three copies.

One remained in a locked drawer in her house in Weston.

One had been given to her husband, who lost it or destroyed it during the years when grief turned them into opponents.

The third had been cut to fit the watch.

Lydia had placed the watch beside Julian’s hospital bassinet on the morning of the evacuation.

She removed her sunglasses.

The cold air touched the dampness gathering along her lower lashes. The terminal entrance, the line of cars, the commuters moving around them—all of it became painfully sharp.

Adrian saw his mother’s eyes and went still.

He had seen Lydia angry, tired, dismissive, amused, and once, after his father’s death, briefly unguarded. He had never seen fear move through her face without permission.

She raised a gloved hand to her mouth.

“That can’t be,” she breathed.

The stranger heard something.

His head lifted slightly, though not enough to find them. His eyes moved toward the traffic first, cautious and slow. Gray-blue, like Adrian’s. He watched a bus pull away, then lowered his gaze to the broken watch again.

Adrian’s own eyes widened.

Nora moved half a step nearer to Lydia, close enough to support her if needed but careful not to touch her without invitation. “Let me call the car around,” she murmured.

“The car is here,” Adrian said.

“I know.”

He looked at Nora as if her answer were absurd. Then he understood. She was offering Lydia an exit that would sound practical.

Lydia did not take it.

A hotel porter from the Commonwealth approached from across the street, smiling in recognition. He carried an umbrella though it was not raining.

“Ms. Marlowe,” he called. “We weren’t expecting you on this side. Can I—”

Nora intercepted him with a look.

“Not now, Peter.”

The porter stopped. His eyes flicked from Lydia to Adrian, then to the homeless man beneath the clock. Curiosity appeared, followed by the trained instinct to conceal it.

“Of course,” he said. “I’ll be inside.”

He crossed back toward the hotel without turning around, though his pace quickened once he reached the curb.

The stranger continued working on the watch.

He had a small cloth spread over one knee. On it lay a pin, a screwdriver with a chipped yellow handle, and two tiny gears. He lifted one gear between thumb and forefinger, examined it, and fitted it into the exposed mechanism.

Adrian swallowed.

“He fixes watches?”

No one answered.

“He has the photograph.”

Lydia’s hand remained over her mouth.

“Mom, how does he have that photograph?”

“I don’t know.”

“You know what it is.”

“Yes.”

“Then what is it?”

“Not here.”

“You said that when I was twelve.”

“This is not the same.”

“It feels exactly the same.”

His voice was still low, but the restraint carried an old argument inside it. Lydia glanced at the people moving around them. No one appeared to be listening. That did not mean no one was.

Adrian noticed her looking.

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“You’re worried someone will recognize you.”

“I am worried about what happens when people make conclusions before facts exist.”

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