smon

Chương 10

“He mailed them to my sister in New Hampshire,” Elena said. “A box of tax papers and Lucia’s baby clothes. She kept it in her attic.”

“You knew?” Dante asked.

“Not until last year. My sister moved and gave the box back. There was a sealed folder beneath the cardboard lining.”

“Why didn’t you open it?”

“I did.”

“What was inside?”

“Lists of companies, dates, initials, copies of checks. I didn’t understand most of it.”

“Why didn’t you take it to police?”

Elena’s eyes sharpened.

“Because my husband took information from criminals and died with cut brake lines. Because I had a daughter who slept six feet from our front door. Because Mr. Greco reminded me every month that he knew where we lived.”

Marianne leaned forward. “Where is the folder now?”

“In a storage unit in Quincy.”

“Under your name?”

“No. My sister’s maiden name.”

Sal would not know it, Elena explained. Her sister had changed names twice through marriage and once through divorce, an administrative history Elena had previously regarded as chaotic and now found useful.

Rocco asked for the location.

Elena shook her head. “I’ll go.”

“You’re not leaving this estate tonight,” Dante said.

“That sounds like a threat.”

“It is weather.”

“I’ll go when the roads open.”

“Rocco goes with you.”

“No.”

Dante felt impatience rise. “Elena—”

“Those papers are the only reason anyone must listen to me. I will not give them to your security chief while you decide how much truth you can afford.”

Rocco glanced at Dante, waiting.

Marianne intervened.

“Elena is correct.”

Dante looked at her.

“She should maintain control of the evidence until represented,” Marianne said. “We arrange a neutral location. Her lawyer, a forensic accountant, and law enforcement can receive copies simultaneously.”

“Law enforcement?” Dante asked.

“Yes. That is where this goes.”

The fire gave a loud crack. Lucia stirred but did not wake.

Dante stared at the closed envelope beside the lamp.

He had spent his adult life making sure problems did not go where Marianne intended to send this one. He paid people to settle disputes, discourage witnesses, redirect attention, and turn crimes into private misunderstandings. The machinery had protected his freedom and consumed everyone else’s.

Sal understood that machinery better than anyone. If Dante opened the records, Sal would try to take him down with them.

Marianne watched him.

“You don’t have to decide the entire future tonight,” she said. “You have to decide whether evidence survives until morning.”

Dante nodded toward Rocco.

“Secure every office. No destruction, no threats, no one touched. Photograph what you find before moving it. Marianne’s forensic team gets copies.”

Rocco left.

Marianne gathered her bag.

“I’ll make calls.”

Dante stopped her. “And Sal?”

“He remains a danger, but you cannot imprison him indefinitely.”

“Morning, then.”

“In the morning, you either release him or contact authorities.”

Dante looked at Elena.

She held his gaze.

“Morning,” he said.

The estate settled into an uneasy night.

Security men moved through corridors once reserved for servants carrying coal. Office doors opened. Computers were imaged. Boxes were photographed and sealed. In the kitchen, Mrs. Donnelly made coffee strong enough to remove varnish. Marianne worked at the dining-room table with two forensic accountants connected by video call.

Dante went upstairs because his doctor arrived and threatened hospitalization. He allowed his temperature to be taken, swallowed medication, and refused the ambulance. At midnight he stood beneath a hot shower and watched damp ash from the library fireplace wash from his fingers.

He had touched the scorched report without noticing.

When he returned to his bedroom, Lucia was sitting on the floor outside his door.

She wore new red boots.

The price tag still hung from one lace.

“Where did those come from?”

“Mrs. Donnelly found them in a closet.”

“She found new children’s boots in my closet?”

“In a closet.”

“That explanation has weaknesses.”

Lucia looked down at the bright leather. “Mama said I can’t keep them.”

“Why are you wearing them?”

“To see if they fit before I give them back.”

Dante opened his bedroom door.

“You should be asleep.”

“So should you.”

He sat on the bench inside the doorway.

The hall lights had been dimmed. Beyond the windows at the far end, snow continued to fall, soft now, covering the roofs of parked security vehicles.

Lucia swung one boot.

“Is the bad man gone?”

“Not yet.”

“Is Mr. Greco bad?”

Dante considered the question.

“He has done bad things.”

“That’s not the same.”

“No.”

“Did you do bad things?”

Children did not circle. They walked directly into rooms adults spent years avoiding.

“Yes.”

She waited.

Dante almost asked what answer she wanted, then understood the point was that she had not requested one.

“My mother says people can stop,” Lucia said.

“Your mother is generous.”

“She says stopping doesn’t fix before.”

“That sounds more like her.”

Lucia touched the loose price tag.

“Will you say sorry?”

“To whom?”

“Everybody.”

Dante looked along the empty hallway.

“I don’t think everybody would believe me.”

“You could still say it.”

The advice was simple because children did not yet understand the economic complexity of apologies. Dante envied her ignorance and feared the day it would leave.

“Your mother needs you,” he said.

“She told me to wait while she talks to the lawyer.”

“Then wait in the sitting room.”

“It smells old.”

“The whole house smells old.”

“Your room smells like medicine.”

“That is not an improvement.”

Lucia smiled.

Dante reached for the price tag and tore it from the boot.

“You can keep them.”

“Mama said no.”

“Tell her they were part of your wages.”

“I don’t work here.”

“You moved the envelope.”

“That was helping.”

“Consulting fee, then.”

Lucia looked suspicious. “Is that a trick?”

“No.”

“Do I owe you?”

“No.”

She thought about it.

“Okay.”

Dante stood.

Lucia rose too, the boots squeaking against the polished floor.

As she walked away, she turned.

“You forgot to say good night.”

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“Good night, Lucia.”

“Good night, Mr. Marchetti.”

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