Part 5

Lena sat at the desk. Thomas and Paul took chairs behind her.
Naomi began with congratulations on the inheritance.
“You deserved a better first morning,” she said.
Lena almost thanked her, then noticed the careful wording. A better morning, not a different problem.
Naomi continued. “We have two separate matters. The first is Lena’s succession. The second is the allegation involving Celeste.”
“Allegation?” Thomas said.
Naomi looked toward his square on the screen. “That is the appropriate term until the review is complete.”
“She raised her hand,” Lena said. “I stopped it.”
“I am not disputing your account.”
“You are declining to use it.”
“I am declining to make a finding before hearing from everyone involved.”
One trustee, a retired publisher named Gerald Ames, removed his glasses.
“Could this be resolved privately?”
“It happened privately,” Lena said.
“I mean without disciplinary action.”
Paul shifted behind her.
Naomi asked Gerald what he proposed.
“A mutual statement. Misunderstanding. Emotions ran high. Both parties regret the encounter.”
“I don’t regret stopping her,” Lena said.
Gerald frowned. “No one is asking you to.”
“That is exactly what a mutual statement would say.”
Another trustee, Simone Park, a former federal arts administrator, leaned toward her camera. “What does Ms. Whitmore regret?”
No one answered.
Naomi folded her hands.
“Celeste has raised nearly twelve million dollars for the foundation over fourteen years.”
“She also threatened to destroy the career of someone she thought was junior staff,” Lena said.
“I am not minimizing that.”
“Then don’t say twelve million immediately after it.”
Naomi’s expression sharpened.
“This board has a fiduciary responsibility. Money is not a moral argument, but it is a fact.”
“So is what she did.”
“Yes.”
The word settled between them.
Lena glanced at the paintings behind the screen, all selected by Margaret to impress visitors without distracting them. She wondered how many meetings had occurred in that office where everyone agreed on the facts and still chose the easier lie.
Naomi proposed an independent investigation lasting no more than ten business days. Celeste’s membership access would remain suspended, but the suspension would be described as administrative rather than disciplinary. Lena would not speak publicly. Neither would the staff.
“What about the article?” Lena asked.
“We will say the board is reviewing an incident.”
“The article makes it look as if I staged the evening.”
Naomi sighed. “Public relations is not truth arbitration.”
“It becomes truth when no one answers it.”
“It becomes noise. Noise passes.”
Thomas spoke. “Not for employees whose names are attached to it.”
Naomi looked tired for the first time. “Thomas, I am trying to keep a gallery functioning.”
“So is Lena.”
“Lena has owned it for one day.”
The sentence was not meant as an insult. That did not prevent it from being one.
The board approved the investigation six votes to one. Gerald voted against it because he preferred a private settlement. Simone volunteered to sit on the review committee. Outside counsel would select an investigator. Nia would be interviewed if she agreed.
After the call ended, Paul remained seated.
“We need to discuss the spring exhibition,” he said.
“Not now,” Thomas replied.
“It is now. The Whitmore trust can withdraw the Sargent loan with thirty days’ notice. Without it, our insurance sponsorship may be repriced.”
Lena stared at him. “The entire exhibition depends on one painting?”
“The campaign depends on one painting. The exhibition can survive. The donor dinner may not.”
“Then we change the dinner.”
“That sentence is easier from Margaret’s chair.”
Lena pushed herself up from it.
“Stop calling it that.”
Paul blinked.
“It’s a chair,” she said. “You can sit in it if you want.”
He looked at Thomas, uncertain whether she was making a joke.
She was not sure herself.
Paul did not sit.
The investigator began interviews that afternoon. Nia declined to participate until she had spoken with an attorney. Lena approved payment for independent legal advice, which caused Gerald Ames to email the board that witnesses should not be “coached with foundation money.”
Nia forwarded the email to Lena with no comment.
Lena found her in the registrars’ office checking crate dimensions against a shipping manifest. The room was narrow and overlit. Shelves held acid-free boxes labeled in Nia’s precise handwriting.
“I didn’t ask to see Gerald’s email,” Lena said.
“I know.”
“I’m sorry he wrote it.”
“He wrote what he thinks.”
“That doesn’t make it acceptable.”
Nia adjusted the edge of a label that was already straight.
“My last supervisor told me I was disloyal when I reported a donor for touching a sculpture.”
“What happened?”
“The donor stayed. I left.”
Lena leaned against the doorframe. “Do you think that will happen here?”
Nia’s mouth moved as if she might say no.
“I don’t know you,” she said instead.
It hurt, though it was fair.
“You’ve worked here three years.”
“I worked for Margaret.”
“You worked for the gallery.”
“Those were the same thing.”
“They aren’t now.”
Nia looked at her. “That’s what everyone keeps saying.”
A phone rang in the next office. Neither moved to answer it.
Lena said, “You don’t owe me courage because I own the building.”
Nia’s face softened slightly.
“But I need the truth,” Lena continued. “Not for me. For the people who will be standing where I stood next time.”
“There will be a next time?”
“With someone, yes.”
Nia looked down at the shipping manifest.
“My mother thinks I should say I saw nothing.”
“Is she usually right?”
“She’s usually afraid.”
“Those aren’t opposites.”
Nia gave a quiet, surprised laugh.
Then she said, “I’ll talk to the investigator after I meet the attorney.”
“Thank you.”
“Don’t thank me yet.”
That evening, Celeste called Lena directly.
Lena was in the conservation room eating crackers from a vending machine because she had missed lunch and dinner. She almost ignored the unfamiliar number, but the country code was local and the gallery had spent the day receiving calls from lenders.
May you like
Celeste did not identify herself.
“You have allowed this to become grotesque.”