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Chương 6

“Credentials identify credentials,” Dana said. “Not necessarily a person. We need device records, IP information, multifactor logs, email routing, and testimony.”

“There was no multifactor authentication on the old account,” Simon admitted.

“Then today is the day you begin having it.”

Simon wrote the sentence down as though it were legal advice rather than embarrassment.

Northline’s counsel agreed not to move remaining funds until ownership and authorization were reviewed. They would not say how much remained. They also refused to provide their full Vale engagement file without a subpoena or Adrian’s consent.

The bank began its own fraud review. The insurer opened a claim but reserved every right available under the policy. Hollis Hospitality requested a financial assurance meeting for Monday morning.

None of the systems designed to help Claire moved at the speed of her fear.

At six, most of the staff went home reluctantly. Claire remained in her office with Simon, Mara, and three years of account records.

A designer named Olivia appeared at the door holding a paper bag.

“My wife sent sandwiches,” she said. “She made too many.”

Claire knew this was not true. Olivia’s wife managed a restaurant and did not accidentally make sandwiches in sets of four.

“Thank her.”

“They’re turkey. Except the one marked S, which is vegetarian.”

Simon looked offended. “Why am I marked S?”

“She doesn’t know Mara.”

Mara accepted the vegetarian sandwich.

They ate in silence around the conference table. The studio’s cleaning crew moved through the hallway, emptying bins and spraying glass. Somewhere downstairs, the florist dragged metal buckets across tile.

Claire unfolded the wax paper around her sandwich and found that she was hungry. This annoyed her. She wanted her body to show better judgment about the day.

Simon chewed without looking up. “The video passed a million views.”

Mara put down her sandwich. “Why did you check?”

“I have flaws.”

“What are people saying?” Claire asked.

“Nothing useful.”

“That wasn’t my question.”

Simon slid his phone across the table.

The comments divided Claire into two women, neither of whom she recognized. To some, she was a ruthless genius who had planned a perfect revenge. To others, she was a rich, vindictive wife stripping a man of his home over infidelity. People argued about whether Vanessa had stolen the robe, whether the chandelier constituted a fixture, whether Claire’s white suit meant she had staged the entire divorce for publicity.

Someone had identified the studio.

Someone else had found Adrian’s company.

A local entertainment account posted a photograph of Claire and Adrian at a museum benefit four years earlier, smiling beside a bronze sculpture. The caption asked how long the marriage had been “secretly dead.”

Claire handed the phone back.

Simon waited. “Do we respond now?”

“No.”

“Hollis may think the studio is part of a circus.”

“The studio is part of a circus.”

“Then perhaps we should identify which tent is ours.”

Mara wiped mustard from the edge of her sandwich with a napkin. “A narrow statement may be appropriate. No discussion of the divorce terms, the trust, or the missing funds.”

Simon looked at Claire.

She stared at the conference table. The surface had been made from reclaimed oak and bore a dark circular stain from the first winter in the building, when a client placed a wet planter on it during a presentation. Claire had refused to refinish the spot. Not because it symbolized anything. She simply kept forgetting.

“Say that Claire Bell Studio remains fully operational,” she said. “The furnishings shown being removed are company-owned inventory being relocated from a former residential installation. Client projects and vendor obligations are continuing as scheduled.”

Simon typed.

“Former residential installation sounds like a showroom,” Mara said.

“It partly was.”

“That creates tax questions.”

“Everything creates tax questions.”

Dana’s face appeared again on the monitor. She had moved to a quieter place in the airport.

“Before you publish,” she said, “I need to know whether the company charged the house as a business installation.”

Claire looked at Simon.

He closed his eyes briefly. “Some items were depreciated as rotating inventory. Some were purchased personally by Claire and later sold to the studio. Some were consignment pieces. The house was used for photography, client dinners, and design showcases.”

“How frequently?”

“Frequently enough that the accountant approved allocation schedules.”

Dana nodded. “Then the statement is defensible, but preserve those records too.”

Claire leaned back. “Is there anything in my life that does not require preservation?”

Mara took another bite. “The sandwich, apparently.”

They published the statement at 7:18 p.m.

For nine minutes, the comments slowed.

Then Vanessa posted.

Her message was not long. She wrote that she had been misled about the ownership of the residence and its contents, that she had no knowledge of the divorce settlement’s true terms, and that she did not consent to being filmed in a private home.

She did not mention the affair.

She did not mention the robe.

She did not mention that she had lived in the house for six weeks before the divorce became final.

Adrian called Claire twice after the post appeared. She did not answer.

At eight thirty, the crew supervisor sent the final removal report. All scheduled property had been recovered except the pair of Halden chairs, three smaller art pieces, a silver drinks tray, and two boxes of archived studio samples.

The drinks tray did not matter financially. The missing chairs did.

Claire opened the reference photograph again. They were handsome without being showy, with low backs and dark wood arms worn smooth where people rested their hands. Adrian disliked them because he said they looked “too quiet.” Vanessa had once posted a photograph sitting in one with her legs over the arm, though Claire had not known then that the photograph had been taken in her library.

She sent the image to Simon.

“Check resale sites, dealers, and auction records.”

“At eight thirty?”

May you like

“You can do it tomorrow.”

“You’re saying the right words, but your face is saying tonight.”

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